"Miscellaneous Madrigals published in anthologies (1593-1634): Occhi miei, se mirar più non debb'io [My eyes, If I must see no more]" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini was released on June 26, 2007. With this song being about 5 minutes long, at 4:35, "Miscellaneous Madrigals published in anthologies (1593-1634): Occhi miei, se mirar più non debb'io [My eyes, If I must see no more]" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ's "Monteverdi: Madrigals, Book 6" album is number 5 out of 35. On top of that, Hong Kong appears to be the country where this track was created. Miscellaneous Madrigals published in anthologies (1593-1634): Occhi miei, se mirar più non debb'io [My eyes, If I must see no more] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miscellaneous Madrigals published in anthologies (1593-1634): Occhi miei, se mirar più non debb'io [My eyes, If I must see no more] by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: II. Sanctus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 127 BPM | ||
Zefiro torna, e di soavi accenti, SV 251 | Claudio Monteverdi, Les Arts Florissants, William Christie | G Major | 1 | 9B | 110 BPM | ||
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | ||
Strike the viol | Henry Purcell, Carlos Mena, Philippe Pierlot, Ricercar Consort | G Major | 1 | 9B | 172 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
A la venue de noël | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 2 | 12A | 92 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM |
Section: 0.6132082939147949
End: 0.6179664134979248