Claudio Monteverdi, Les Arts Florissants, William Christie's 'Zefiro torna, e di soavi accenti, SV 251' came out on June 7, 1993. Zefiro torna, e di soavi accenti, SV 251 is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in Claudio Monteverdi, Les Arts Florissants, William Christie's "Monteverdi: Il combattimento di tancredi e Clorinda" album is number 8 out of 10. On top of that, France appears to be the country where this track was created. In terms of popularity, Zefiro torna, e di soavi accenti, SV 251 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zefiro torna, e di soavi accenti, SV 251 by Claudio Monteverdi, Les Arts Florissants, William Christie to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Troqueurs, Ballet: IV. Allegro | Antoine Dauvergne, Cappella Coloniensis, William Christie | E Major | 1 | 12B | 129 BPM | ||
Platée, Acte 1 Scène 6: Orage | Jean-Philippe Rameau, Les Arts Florissants, William Christie | F Major | 5 | 7B | 83 BPM | ||
Solo e pensoso | Luca Marenzio, Huelgas Ensemble, Paul Van Nevel | E Minor | 1 | 9A | 71 BPM | ||
Handel: Serse, HWV 40, Act 2, Scene 3: Recitativo. "Di quel foglio, Atalanta" (Serse, Atalanta) | George Frideric Handel, William Christie, Anne Sofie von Otter, Sandrine Piau, Les Arts Florissants | D♭ Minor | 1 | 12A | 98 BPM | ||
King Arthur: Act V, sc. 2 : Fairest Isle | Henry Purcell, Alfred Deller, Wieland Kuijken, William Christie | B Major | 1 | 1B | 86 BPM | ||
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
L'incoronazione di Poppea, SV 308 / Act I: Signor, deh, non partire! | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | F Major | 0 | 7B | 103 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 13: No. 17, Aria, "Sapra delle mie offese" (Amastre) | George Frideric Handel, William Christie | D♭ Major | 2 | 3B | 98 BPM | ||
Les Indes galantes, Troisième Entrée, Scène 7: "Tendre Amour" (Quatuor) | Jean-Philippe Rameau, Sandrine Piau, Jean-Paul Fouchécourt, Noemi Rime, Jérôme Corréas, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 82 BPM |
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