"Variations on Gavotte from Corelli's in F Major "L'arte del arco", Op. 5, No. 10: Variation 8 (Transcr. and embellishments by Luca Astolfoni Fossi)" by Giuseppe Tartini, Claudio Ferrarini was released on September 15, 2023. With Variations on Gavotte from Corelli's in F Major "L'arte del arco", Op. 5, No. 10: Variation 8 (Transcr. and embellishments by Luca Astolfoni Fossi) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Giuseppe Tartini, Claudio Ferrarini's "Giuseppe Tartini: 3 Sonate & L’arte dell’arco. First Complete World Recording (Transcr. and embellishments by Luca Astolfoni Fossi)" album is number 28 out of 91. On top of that, Italy appears to be the country where this track was created. The popularity of Variations on Gavotte from Corelli's in F Major "L'arte del arco", Op. 5, No. 10: Variation 8 (Transcr. and embellishments by Luca Astolfoni Fossi) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations on Gavotte from Corelli's in F Major "L'arte del arco", Op. 5, No. 10: Variation 8 (Transcr. and embellishments by Luca Astolfoni Fossi) by Giuseppe Tartini, Claudio Ferrarini to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
24 Caprices, Op. 1: No. 1 in E major | Ilya Kaler | E Major | 3 | 12B | 101 BPM | ||
Requiem In D Minor, K.626: 7. Agnus Dei | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 87 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": II. Allegro. Tempo giusto della scuole tartinista | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | B♭ Major | 1 | 6B | 82 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM |
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