"Oculi Omnium" by Charles Wood, Monks And Choirboys Of Downside Abbey, David Lawson, Dom Dunstan O'Keeffe was released on January 1, 1996. With Oculi Omnium being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Abbey". In this album, this song's track order is #3. In terms of popularity, Oculi Omnium is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oculi Omnium by Charles Wood, Monks And Choirboys Of Downside Abbey, David Lawson, Dom Dunstan O'Keeffe having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Minor | 1 | 7A | 86 BPM | ||
Messe Solennelle, Op. 16 - Agnus Dei | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A♭ Major | 1 | 4B | 135 BPM | ||
Burial Sentences: I. I Am The Resurrection | Thomas Tomkins, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 1 | 4A | 72 BPM | ||
Beati quorum via | Charles Villiers Stanford, The Sixteen, Harry Christophers | A♭ Major | 1 | 4B | 133 BPM | ||
All-night Vigil, Op. 44: Vzbrannoy voyevode | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | A Minor | 0 | 8A | 78 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM | ||
Mass in C Major, "Messe breve No. 7 aux chapelles": Gloria | Charles Gounod, Patrick Herget, Axel Werntges, Hartmut Roth, Philipp Tetzlaff, Martin Schmeding, Jugendkantorei Hosel, Toralf Hildebrandt | C Major | 2 | 8B | 132 BPM | ||
Exultate Justi! | Lodovico Grossi da Viadana, Gloriae Dei Cantores, Elizabeth C. Patterson | A Major | 2 | 11B | 94 BPM | ||
Psalm 16 "Preserve Me, O God" | Martin How, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | A♭ Major | 1 | 4B | 77 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM |
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