"Lucia di Lammermoor, Act III, Scene II: No. 14b Allegretto "Ohime!"" by Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Sergei Skorokhodov, Ilya Bannik, Vladislav Sulimsky, Mariinsky Chorus, Mariinsky Orchestra was released on July 25, 2011. Lucia di Lammermoor, Act III, Scene II: No. 14b Allegretto "Ohime!" appears to be safe for all ages as it is not explicit. The song is number 12 out of 33 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Natalie Dessay, Valery Gergiev, Vladislav Sulimsky, Piotr Beczala, Ilya Bannik, Mariinsky Orchestra, Mariinsky Chorus. In terms of popularity, Lucia di Lammermoor, Act III, Scene II: No. 14b Allegretto "Ohime!" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor, Act III, Scene II: No. 14b Allegretto "Ohime!" by Gaetano Donizetti, Valery Gergiev, Natalie Dessay, Sergei Skorokhodov, Ilya Bannik, Vladislav Sulimsky, Mariinsky Chorus, Mariinsky Orchestra is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Linda di Chamounix, A. 62, Act I Scene 5: Qui buon Antonio, qui soli | Gaetano Donizetti, Michele Pertusi, Vittorio Prato, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Tu sei turbato!...E n'ho ben d'onde" (Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 2 | 10B | 130 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Ancor non giunse?" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | A Major | 1 | 11B | 184 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM |
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