"Coppelia: Act II - Entr'acte" by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia was released on December 13, 1995. With Coppelia: Act II - Entr'acte being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 43 in Delibes: Coppelia (Complete Ballet) / La Source Suites by Léo Delibes. Coppelia: Act II - Entr'acte is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Coppelia: Act II - Entr'acte by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sylphides: 1. Prélude in A major, Op. 28, No. 7 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 131 BPM | ||
Faust, Ballet Music (1869): 3. Danse antique (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 14 (orch. Parlow) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | A Minor | 2 | 8A | 107 BPM | ||
La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | ||
Jordan: As-salam al-malaki al-urdoni (Long Live the King of Jordan), "Long live the King! Long live the King!…" [2005 arrangement] | Abdul-Qadar Al-Taneer, Slovak Radio Symphony Orchestra, Peter Breiner | F Major | 2 | 7B | 112 BPM | ||
Northern Ireland: A Londonderry Air, "Would God I were the tender apple blossom…" | Traditional, Slovak Radio Symphony Orchestra, Peter Breiner | F Major | 1 | 7B | 100 BPM | ||
Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 3: 28. Pas de deux: Variations I-II - Coda | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | E Major | 3 | 12B | 131 BPM | ||
La fanciulla del West: Ch'ella mi creda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 6 | 7B | 103 BPM |
Section: 0.5699760913848877
End: 0.5740532875061035