Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti's 'The Sleeping Beauty, Op.66, TH.13 / Act 3: 28. Pas de deux: Variations I-II - Coda' came out on January 1, 1981. With this song being about 5 minutes long, at 4:30, "The Sleeping Beauty, Op.66, TH.13 / Act 3: 28. Pas de deux: Variations I-II - Coda" by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #21. Based on our statistics, The Sleeping Beauty, Op.66, TH.13 / Act 3: 28. Pas de deux: Variations I-II - Coda's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Sleeping Beauty, Op.66, TH.13 / Act 3: 28. Pas de deux: Variations I-II - Coda by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Minor, Op. 55: IV. Prestissimo - Andantino - Tempo primo | Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot | A♭ Major | 1 | 4B | 140 BPM | ||
Le carnaval des animaux, R. 125: V. L'Eléphant | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E Major | 0 | 12B | 60 BPM | ||
Saint Saens: Le Carnaval des animaux fossiles 생상스 동물의 사육제 중 화석 | 김준영 | E♭ Major | 4 | 5B | 120 BPM | ||
Symphony No. 1 in D Major "Titan": IIId. Wieder etwas bewegter, wie im Anfang | Gustav Mahler, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 87 BPM | ||
Tatiana's Bedroom: Apparition of Onegin - Pas De Deux (Onegin Ballet Suite No 11 & 12) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | B Minor | 0 | 10A | 85 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Pictures at an Exhibition: Tuileries | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 4. Langsam - Lebhaft - Schneller - Presto | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 74 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 11, Limoges, le marché (La grande nouvelle) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM |
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