Michael Morpurgo made "Grandpa Christmas: Just to See You Digging There... - Narration" available on November 6, 2020. With Grandpa Christmas: Just to See You Digging There... - Narration being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 37 out of 45 in Carnival by The Kanneh-Masons, Michael Morpurgo, Olivia Colman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Grandpa Christmas: Just to See You Digging There... - Narration's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Grandpa Christmas: Just to See You Digging There... - Narration by Michael Morpurgo is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chapter 32 - War Horse | Michael Morpurgo, John Keating | D Minor | 3 | 7A | 88 BPM | ||
Michael Morpurgo, Pt. 19 | Maggie Meets | G Major | 4 | 9B | 133 BPM | ||
Giselle - Act 1: No. 3 Loys seul - Entrée de Giselle | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | F Major | 0 | 7B | 176 BPM | ||
The Rainbow Bear: Sea Bear | Michael Morpurgo, Sergei Prokofiev, Joanna Lumley, Stephen Barlow, English Northern Philharmonia | F Major | 1 | 7B | 128 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | F Major | 2 | 7B | 135 BPM | ||
Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Michael Morpurgo, Pt. 22 | Maggie Meets | D Major | 3 | 10B | 79 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
The Tempest: Suite No. 2, Op. 109: V. Song I and II | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM |
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