Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] - Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Hans Martin Nau, Theo Adam, Gewandhausorchester Leipzig, Rudolf Mauersberger, Erhard Mauersberger Information

Acousticness: 94%
Danceability: 35%
Energy: 14%
Instrumentalness: 0%
Liveness: 79%
Loudness: 70%
Speechiness: 5%
Valence: 18%
Popularity: 0%
Loudness: -17.967 dB

Summary

"Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus]" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Hans Martin Nau, Theo Adam, Gewandhausorchester Leipzig, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. The duration of Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #36. The popularity of Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] BPM

With Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Hans Martin Nau, Theo Adam, Gewandhausorchester Leipzig, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] Key

This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro	Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek	G Minor	3	6A	59 BPM
Viola Concerto in G Major, TWV 51:G9: I. Largo	Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger	G Major	1	9B	144 BPM
Nocturne No. 1 in E-Flat Major	John Field, Benjamin Frith	E♭ Major	0	5B	73 BPM
Partita No. 3 in A Minor, BWV 827: IV. Sarabande	Johann Sebastian Bach, Martin Helmchen	A♭ Minor	2	1A	145 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)	Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason	A Major	1	11B	89 BPM
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino	Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel	B♭ Major	0	6B	0 BPM
Kol Nidrei - Adagio For Cello, Opus 47	Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim	D Major	1	10B	81 BPM
Pièces Lyriques, Op. 47 No. 3: Mélodie	Edvard Grieg, Shani Diluka	F Major	0	7B	105 BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D♭ Major	1	3B	174 BPM
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio	Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment	D♭ Minor	1	12A	133 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.821293830871582

End: 0.8263838291168213