"Ebben, Me Ne Andro Lontana (La Wally)" by Renata Tebaldi, Professori d´Orchestra e Artisti del Coro della Scala had its release date on March 3, 1950. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Renata Tebaldi's "L'incredibile Renata Tebaldi" album is number 6 out of 28. On top of that, Germany appears to be the country where this track was created. Ebben, Me Ne Andro Lontana (La Wally) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ebben, Me Ne Andro Lontana (La Wally) by Renata Tebaldi, Professori d´Orchestra e Artisti del Coro della Scala to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, Olga Borodina, José Cura, London Symphony Orchestra | D♭ Major | 1 | 3B | 129 BPM | ||
Die Walkure: Act III Scene 1: Walkurenritt: Hojotoho! Heiaha! (Gerhilde, Helmwige, Waltraute, Schwertleite, Ortlinde, Siegrune, Grimgerde, Rossweisse) | Richard Wagner, Endrik Wottrich, Kwangchul Youn, Albert Dohmen, Eva-Maria Westbroek, Linda Watson, Michelle Breedt, Sonja Muhleck, Anna Gabler, Martina Dike, Simone Schroder, Edith Haller, Wilke te Brummelstroete, Annette Kuttenbaum, Manuela Bress, Bayreuth Festival Orchestra, Christian Thielemann | E Minor | 3 | 9A | 91 BPM | ||
Frühlingsglaube, D. 686b | Franz Schubert, Renée Fleming, Christoph Eschenbach | A♭ Major | 0 | 4B | 175 BPM | ||
Si, Mi Chiamano Mimi (La Bohème) | Renata Tebaldi, Professori d´Orchestra e Artisti del Coro della Scala | D Major | 2 | 10B | 82 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Una furtiva lacrima | Beniamino Gigli | F Minor | 1 | 4A | 78 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 135 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM |