Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): II. Corrente: Allegro
Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Egüez, Gaetano Nasillo, Massimiliano Raschietti
Corelli: Sonate per Viola da Gamba & basso continuo, Op. 5
2:49 October 4, 2011
BPM
131
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): II. Corrente: Allegro - Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Egüez, Gaetano Nasillo, Massimiliano Raschietti Information

Acousticness
89%
Danceability
28%
Energy
9%
Instrumentalness
78%
Liveness
12%
Loudness
61%
Speechiness
4%
Valence
13%
Popularity
Loudness
-23.367 dB

Summary

"Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): II. Corrente: Allegro" by Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Egüez, Gaetano Nasillo, Massimiliano Raschietti was released on October 4, 2011. The duration of Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): II. Corrente: Allegro is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): II. Corrente: Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 48 in Corelli: Sonate per Viola da Gamba & basso continuo, Op. 5 by Arcangelo Corelli, Guido Balestracci. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): II. Corrente: Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): II. Corrente: Allegro BPM

The tempo marking of Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): II. Corrente: Allegro by Arcangelo Corelli, Guido Balestracci, Eunice Brandao, Eduardo Egüez, Gaetano Nasillo, Massimiliano Raschietti is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Sonata in G Minor, Op. 5, No. 7 (version for viola da gamba and basso continuo): II. Corrente: Allegro Key

D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro by Tomaso Albinoni, Capella Istropolitana, Jaroslav KrcekSonata a 5 in G Minor, Op. 2, No. 6: IV. AllegroTomaso Albinoni, Capella Istropolitana, Jaroslav KrcekG Minor36A59 BPM
Sinfonia for Strings in G major, RV 149: III. Allegro by Karoly BotvaySinfonia for Strings in G major, RV 149: III. AllegroKaroly BotvayD Major110B146 BPM
Violin Concerto in E Major, D. 50: I. Allegro by Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-BruhlViolin Concerto in E Major, D. 50: I. AllegroGiuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-BruhlE Major112B78 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: IV. Allegro e solo by Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain GervreauConcerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: IV. Allegro e soloGiuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain GervreauD♭ Minor312A132 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato by Antonín Dvořák, Prague Chamber Orchestra, Petr SkvorSerenade for Strings in E Major, Op. 22, B. 52: I. ModeratoAntonín Dvořák, Prague Chamber Orchestra, Petr SkvorE Major112B83 BPM
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro by Georg Philipp Telemann, Boris BegelmanSonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. AllegroGeorg Philipp Telemann, Boris BegelmanF♯ Major42B116 BPM
Viola Concerto in C Minor: I. Allegro molto ma maestoso by Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensViola Concerto in C Minor: I. Allegro molto ma maestosoJohann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensC Minor25A96 BPM
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai by Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie PotsdamBach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assaiCarl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie PotsdamA Minor28A87 BPM
ISRC
CH1491125022
Label
L-M Records/RCA Records

Section: 0.5765795707702637

End: 0.5811939239501953