"Ludus Tonalis: XXV. Postludium (Solenne, largo - Arioso, tranquillo - Moderato)" by Paul Hindemith, Alena Cherny was released on December 6, 2019. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul Hindemith, Alena Cherny's "Hindemith: Ludus Tonalis" album is number 25 out of 25. On top of that, Switzerland appears to be the country where this track was created. Ludus Tonalis: XXV. Postludium (Solenne, largo - Arioso, tranquillo - Moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ludus Tonalis: XXV. Postludium (Solenne, largo - Arioso, tranquillo - Moderato) by Paul Hindemith, Alena Cherny to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento for Strings, BB 118 (Sz.113): III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Concerto for Woodwinds, Harp and Orchestra: I. Massig, schnell | Paul Hindemith, Walter Buchsel, Liviu Varcol, Ulrich Mehlhart, Carsten Wilkening, Charlotte Cassedanne, Frankfurt Radio Symphony Orchestra, Werner Andreas Albert | E♭ Minor | 1 | 2A | 78 BPM | ||
3 Leichte Stücke: II. Langsam | Paul Hindemith, Umberto Aleandri, Filippo Farinelli | A Major | 3 | 11B | 96 BPM | ||
Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | E Major | 2 | 12B | 134 BPM | ||
Mathis Der Maler: Vorspiel: Concert of Angels | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Major | 1 | 9B | 103 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Passacaglia | Rebecca Clarke, Philip Dukes, Sophia Rahman | C Minor | 1 | 5A | 78 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo (Vivace) | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | B♭ Major | 2 | 6B | 82 BPM |
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