Semiramide: Overture - Remastered - Gioachino Rossini, Leonard Bernstein, New York Philharmonic Information

Acousticness: 87%
Danceability: 33%
Energy: 41%
Instrumentalness: 90%
Liveness: 16%
Loudness: 79%
Speechiness: 5%
Valence: 18%
Popularity: 7%
Loudness: -12.599 dB

Summary

"Semiramide: Overture - Remastered" by Gioachino Rossini, Leonard Bernstein, New York Philharmonic was released on December 29, 2017. Semiramide: Overture - Remastered appears to be safe for all ages as it is not explicit. The song is number 5 out of 6 in Bernstein Conducts Favorite Rossini Overtures (Remastered) by Gioachino Rossini, Leonard Bernstein, New York Philharmonic. Semiramide: Overture - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Semiramide: Overture - Remastered BPM

The tempo marking of Semiramide: Overture - Remastered by Gioachino Rossini, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Semiramide: Overture - Remastered Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
String Quintet E, Op.13, No.5: 3. Menuetto	Luigi Boccherini, I Musici	A Major	0	11B	83 BPM
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix"	Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János	E♭ Major	2	5B	89 BPM
Bizet: Carmen, WD 31, Act 2 Scene 2: No. 14, Couplets, "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercedes, Carmen, Chorus)	Georges Bizet, Robert Massard/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra	F Major	3	7B	116 BPM
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto)	Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek	G Major	2	9B	106 BPM
Carmen, Act I, No.2 : Scène et Choeur: Sur la place, chacun passe, chacun vient, chacun va (Moralès/Dragons)	Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse	B♭ Major	1	6B	107 BPM
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto	Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber	A♭ Major	0	4B	75 BPM
Wesendonck Lieder, WWV 91: Schmerzen	Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis	C Minor	1	5A	132 BPM
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	E Major	0	12B	140 BPM
Orpheus in the Underworld: Cancan	Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker	D Major	6	10B	152 BPM
Gaite Parisienne (after J. Offenbach): 6. Allegro	Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra	E Major	2	12B	144 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7720255851745605

End: 0.7780852317810059