Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Hans-Joachim Rotzsch, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger's 'Matthäus-Passion, BWV 244, Pt. 1: No. 20, Aria With Chorus. "Ich will bei meinem Jesu wachen" (Tenor, Chorus)' came out on October 1, 2019. Matthäus-Passion, BWV 244, Pt. 1: No. 20, Aria With Chorus. "Ich will bei meinem Jesu wachen" (Tenor, Chorus) is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Netherlands. Matthäus-Passion, BWV 244, Pt. 1: No. 20, Aria With Chorus. "Ich will bei meinem Jesu wachen" (Tenor, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, BWV 244, Pt. 1: No. 20, Aria With Chorus. "Ich will bei meinem Jesu wachen" (Tenor, Chorus) by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Hans-Joachim Rotzsch, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 144 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM |
Section: 0.678584098815918
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