"Chanson de Matin, Op. 15 No. 2" by Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman was released on June 1, 1998. The duration of Chanson de Matin, Op. 15 No. 2 is about 3 minutes long, at 3:17. Based on our data, "Chanson de Matin, Op. 15 No. 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 19 in Dance Of The Blessed Spirits by Donald Sosin, Nora Shulman, Judy Loman. Based on our statistics, Chanson de Matin, Op. 15 No. 2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chanson de Matin, Op. 15 No. 2 by Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
14 Songs, Op. 34: No. 14, Vocalise (Arr. A. Harris for Violin & Orchestra) | Sergei Rachmaninoff, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | E Minor | 2 | 9A | 88 BPM | ||
Jocelyn - Opera In 4 Acts: Berceuse | Benjamin Godard, Patrick Gallois, Fabrice Pierre, London Festival Orchestra, Ross Pople | F Major | 0 | 7B | 70 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Largo (Concierto Para Guitarra Y Cuerda Re Mayor) | Cámara de la Escala De Milan | D Major | 0 | 10B | 104 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
Albinoni: Concerto a cinque in B-Flat Major, Op. 10 No. 1: II. Adagio | Tomaso Albinoni, Claudio Scimone, I Solisti Veneti | G Minor | 2 | 6A | 63 BPM | ||
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78, "Organ": Maestoso - Allegro | Camille Saint-Saëns, Orchestre Du Capitole De Toulouse, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 4 | 8B | 98 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM |
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