Nicol Matt, Johann Sebastian Bach, Ute Petersilge, Soloist Of The Freiburger Barockorchester, Jörg Halobek, Nordic Chamber Choir, Martina Rotbauer, Heike Hümmer, Jens Wollenschläger, Robert Sagasser's 'Nun Komm, Der Heiden Heiland, Cantate Bwv 62' came out on March 28, 2007. With Nun Komm, Der Heiden Heiland, Cantate Bwv 62 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 22 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Nun Komm, Der Heiden Heiland, Cantate Bwv 62 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nun Komm, Der Heiden Heiland, Cantate Bwv 62 by Nicol Matt, Johann Sebastian Bach, Ute Petersilge, Soloist Of The Freiburger Barockorchester, Jörg Halobek, Nordic Chamber Choir, Martina Rotbauer, Heike Hümmer, Jens Wollenschläger, Robert Sagasser is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 17, "Nicht wandle, mein Licht" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 1 | 3B | 121 BPM | ||
Partita Hos Gud er idel glede, Op. 44: IV. Var 3 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Jesu meines Lebens Leben, BuxWV 62: Jesu meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Margaretha Consort, Marit Broekroelofs | D Minor | 1 | 7A | 103 BPM | ||
Requiem, Kyrie: III. Kyrie eleison | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi | E♭ Major | 1 | 5B | 116 BPM | ||
Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Minor | 2 | 6A | 70 BPM | ||
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Messa Delli Apostoli: Tocata avanti la Messa Delli Apostoli | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | E♭ Minor | 3 | 2A | 82 BPM | ||
Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | D♭ Minor | 1 | 12A | 63 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2f Gloria: (Andante) Qui tollis | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | C Major | 1 | 8B | 106 BPM |
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