"Strauss, R: Mädchenblumen, Op. 22: No. 3, Epheu" by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 15 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Strauss, R: Mädchenblumen, Op. 22: No. 3, Epheu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strauss, R: Mädchenblumen, Op. 22: No. 3, Epheu by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesliederwalzer, Op. 52: IV. Wie des Abends schöne Röte | Johannes Brahms, Christoph Berner, Camillo Radicke, Marlis Petersen, Stella Doufexis | A♭ Major | 0 | 4B | 72 BPM | ||
Handel: Il Trionfo del Tempo e del Disinganno, HWV 46a: "Tu del ciel ministro eletto" (Bellezza) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 84 BPM | ||
Mendelssohn: 5 Lieder, Op. 10: No. 3 Abendbild | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Major | 1 | 11B | 104 BPM | ||
Poulenc: Banalités, FP 107: No. 4, Voyage à Paris | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | A♭ Major | 2 | 4B | 170 BPM | ||
Sogno (Arr. Bleton for Mezzosoprano and Guitar) | Paolo Tosti, Elina Garanca, Raphaël Feuillâtre | A♭ Major | 0 | 4B | 81 BPM | ||
Huit Chansons de Fleurs: No. 1, We Should Not Mind So Small a Flower | Ricky Ian Gordon, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227, Act II: Da. Herr Kavalier! Den morgigen Abend hätt' i frei (Live) | Richard Strauss, Wiener Philharmoniker, George Szell, Jaro Prohaska, Dagmar Hermann | G Major | 2 | 9B | 78 BPM | ||
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 7, Wohl schön bewandt | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | A♭ Major | 0 | 4B | 72 BPM | ||
Frauenliebe und -leben Op. 42: 2. Er, der Herrlichste von allen | Robert Schumann, Jessye Norman, Irwin Gage | F♯ Major | 3 | 2B | 79 BPM |
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