"Saint Francois D'Assise / Deuxième Acte: Toutes ces gloires dont parle l'Apôtre me ravissent (Saint Francois)" by Olivier Messiaen, José van Dam, Hallé, Kent Nagano, Jeanne Loriod was released on January 1, 1999. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Olivier Messiaen, Hallé, Kent Nagano's "Messiaen: Saint Francois D'Assise" album is number 11 out of 61. Saint Francois D'Assise / Deuxième Acte: Toutes ces gloires dont parle l'Apôtre me ravissent (Saint Francois) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saint Francois D'Assise / Deuxième Acte: Toutes ces gloires dont parle l'Apôtre me ravissent (Saint Francois) by Olivier Messiaen, José van Dam, Hallé, Kent Nagano, Jeanne Loriod to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Lento in due movimenti: II. Lento misteriosamente | Toru Takemitsu, Kotaro Fukuma | D Major | 0 | 10B | 67 BPM | ||
Chants de Terre et de Ciel: No. 1, Bail avec Mi (pour ma femme) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | D Major | 0 | 10B | 66 BPM | ||
Shaker Loops (version for string orchestra): Hymning Slews | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 83 BPM | ||
3 Pieces for String Quartet: No. 2 | Igor Stravinsky, Goldner String Quartet | D Minor | 0 | 7A | 75 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
String Quartet No. 2 | Sofia Gubaidulina, Stamic Quartet | D Major | 0 | 10B | 77 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 2. Lento | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | C Major | 0 | 8B | 69 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM |
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