Julia Fischer's 'Kapitel 2.2 & Kapitel 3 & Kapitel 4.1 - Der Geschmack unseres Lebens' came out on September 2, 2019. The duration of Kapitel 2.2 & Kapitel 3 & Kapitel 4.1 - Der Geschmack unseres Lebens is about 3 minutes long, at 3:06. Based on our data, "Kapitel 2.2 & Kapitel 3 & Kapitel 4.1 - Der Geschmack unseres Lebens" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 138 in Der Geschmack unseres Lebens by Julia Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Kapitel 2.2 & Kapitel 3 & Kapitel 4.1 - Der Geschmack unseres Lebens's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Kapitel 2.2 & Kapitel 3 & Kapitel 4.1 - Der Geschmack unseres Lebens by Julia Fischer is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Nocturne No.11 In G Minor, Op.37 No.1 | Frédéric Chopin, Maurizio Pollini | B♭ Major | 0 | 6B | 75 BPM | ||
Lyric Pieces Book III, Op. 43: No. 6 To Spring | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 1 | 10A | 125 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM |
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