"Six gnossiennes: Gnosienne 2, avec étonnement" by Erik Satie, Gabriel Tacchino was released on 1989. The duration of Six gnossiennes: Gnosienne 2, avec étonnement is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Six gnossiennes: Gnosienne 2, avec étonnement's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Satie : Oeuvres pour piano". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. In terms of popularity, Six gnossiennes: Gnosienne 2, avec étonnement is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Six gnossiennes: Gnosienne 2, avec étonnement by Erik Satie, Gabriel Tacchino having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Pärt: Für Alina | Arvo Pärt, Sergei Babayan | G Major | 0 | 9B | 130 BPM | ||
Valse Melancolique No. 9 in G Sharp Minor | Carlos Marquez | A♭ Minor | 2 | 1A | 96 BPM | ||
String Quartet No. 1 in D Minor: III. Adagio | Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal | G Minor | 0 | 6A | 104 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
The Lonely Pine-Tree | Alma Deutscher | A Minor | 0 | 8A | 165 BPM | ||
The Lily - Piano Version | Gabríel Ólafs | A Major | 1 | 11B | 87 BPM |
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