Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel's ' "Persée: Entrée des divinités infernales" was released on its scheduled release date, January 1, 2000. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel, Jacques Cordier, Michel Lambert, Robert Cambert's "Lully: Le Roi Danse - Original Motion Picture Soundtrack" album is number 17 out of 35. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Persée: Entrée des divinités infernales is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Persée: Entrée des divinités infernales by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 5 Symphony | William Christie | B♭ Major | 1 | 6B | 86 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 6 : II. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | F Major | 2 | 7B | 128 BPM | ||
Water Music - Suite #2 In D, HWV 349 - Andante, Allegro | George Frideric Handel, Jordi Savall | D♭ Major | 5 | 3B | 160 BPM | ||
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM | ||
Thesee: Act III Scene 5: Contre ce monstre qui m'allarme (Cleone, Arcas, Dorine) | Jean-Baptiste Lully, Howard Crook, Laura Pudwell, Ellen Hargis, Harry Van Der Kamp, Suzie LeBlanc, Mireille Lebel, Amanda Forsythe, Olivier Laquerre, Marc Molomot, Marek Rzepka, Aaron Engebreth, Aaron Sheehan, Yulia van Doren, Teresa Wakim, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Paul O'Dette, Stephen Stubbs | C Minor | 2 | 5A | 101 BPM | ||
Concerto In D Major, Op.26, No.6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Flute Concerto in G Minor, Op. 10, No. 2, RV 439 - "La notte": IV. Presto | Antonio Vivaldi, Patrick Gallois, Orpheus Chamber Orchestra | G Major | 1 | 9B | 137 BPM | ||
9 Fantasia a 4: IX. Fantazia in A Minor, Z. 740 | Henry Purcell, The Rose Consort Of Viols | G Major | 1 | 9B | 126 BPM |