"Geistliche Gesänge: No. 7. —" by Giacomo Meyerbeer, Veronika Winter, Anne Bierwirth, Immo Schroder, Matthias Vieweg, Rheinische Kantorei, Hermann Max was released on September 23, 2016. The duration of Geistliche Gesänge: No. 7. — is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Geistliche Gesänge: No. 7. —'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Meyerbeer, Rheinische Kantorei, Hermann Max's "Meyerbeer: Hallelujah – The Choral Works" album is number 12 out of 13. Geistliche Gesänge: No. 7. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Gesänge: No. 7. — by Giacomo Meyerbeer, Veronika Winter, Anne Bierwirth, Immo Schroder, Matthias Vieweg, Rheinische Kantorei, Hermann Max to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Souvenir de Florence, Op. 70 TH 118: IV. Allegro vivace | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | F♯ Minor | 1 | 11A | 170 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 91 BPM | ||
Ariadne auf Naxos, Op. 60, TrV 228: "Es gibt ein Reich" | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | B♭ Major | 1 | 6B | 77 BPM | ||
Robert le Diable, Act I: Récit. Je n’ai pu fermer sa paupière ! | Giacomo Meyerbeer, John Osborn, Amina Edris, Nicolas Courjal, Orchestre National Bordeaux Aquitaine, Marc Minkowski | C Major | 1 | 8B | 87 BPM | ||
Rimsky-Korsakov: The Snow Maiden, Act 3: Dance of the Tumblers | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 2 | 8B | 145 BPM |
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