Ludwig van Beethoven, Maurizio Pollini's 'Piano Sonata No. 30 in E Major, Op. 109: IIIa. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo)' came out on February 21, 2020. With Piano Sonata No. 30 in E Major, Op. 109: IIIa. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 20 in Beethoven: The Last Three Sonatas, Opp. 109-111 by Ludwig van Beethoven, Maurizio Pollini. Piano Sonata No. 30 in E Major, Op. 109: IIIa. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Piano Sonata No. 30 in E Major, Op. 109: IIIa. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) by Ludwig van Beethoven, Maurizio Pollini is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Etudes pour la main gauche seule, Op. 135: II. Alla fuga. Allegro non troppo | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
10 Harmonies poétiques et religieuses, S.173 - 3.Bénédiction de Dieu dans la solitude: Andante - | Franz Liszt, Claudio Arrau | D Major | 0 | 10B | 66 BPM | ||
13 Pieces, Op. 76: No. 7 Affettuoso | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 102 BPM | ||
Nocturnes n°2 en fa majeur Bal des jeunes filles | Francis Poulenc, Alexandre Tharaud | A Major | 1 | 11B | 118 BPM | ||
Piano Sonata in B-Flat Major, Op. 8 No. 3: II. Minuetto. Allegretto | Muzio Clementi, Howard Shelley | B♭ Major | 0 | 6B | 145 BPM | ||
Piano Sonata No. 30 in E Major, Op. 109: IIIb. Variation I: Molto espressivo | Ludwig van Beethoven, Maurizio Pollini | E Major | 1 | 12B | 132 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Fidelio, Op. 72, Act I: March | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
Liszt, Beethoven: Beethoven Symphonies, S. 464, No. 3 in E-Flat Major: IV. Finale. Allegro molto (After Symphony No. 3, Op. 55 "Eroica") | Franz Liszt, Ludwig van Beethoven, Cyprien Katsaris | G Minor | 0 | 6A | 72 BPM |
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