"6 Etudes pour la main gauche seule, Op. 135: II. Alla fuga. Allegro non troppo" by Camille Saint-Saëns, Piers Lane was released on October 1, 1998. The duration of 6 Etudes pour la main gauche seule, Op. 135: II. Alla fuga. Allegro non troppo is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 6 Etudes pour la main gauche seule, Op. 135: II. Alla fuga. Allegro non troppo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Saint-Saëns: The Complete Etudes for Piano". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, 6 Etudes pour la main gauche seule, Op. 135: II. Alla fuga. Allegro non troppo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Etudes pour la main gauche seule, Op. 135: II. Alla fuga. Allegro non troppo by Camille Saint-Saëns, Piers Lane having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 1 in D Major, Op. 17: III. Allegro con fuoco | Camille Saint-Saëns, Jean-Philippe Collard, Royal Philharmonic Orchestra, André Previn | D Major | 3 | 10B | 114 BPM | ||
Piano Concerto No. 1 in B Minor, Op. 2: III. Erstes Zeitmass | Eugen d'Albert, Piers Lane, BBC Scottish Symphony Orchestra, Alun Francis | D Major | 1 | 10B | 146 BPM | ||
Piano Concerto No. 2 in E Major, Op. 12: II. Langsam | Eugen d'Albert, BBC Scottish Symphony Orchestra, Alun Francis, Piers Lane | G Major | 0 | 9B | 88 BPM | ||
Suíte infantil No. 2, W067: III. Allegretto | Heitor Villa-Lobos, Corinna Simon | F Major | 1 | 7B | 69 BPM | ||
Moments musicaux, D. 780: No. 3 in F Minor (Arr. Godowsky) | Franz Schubert, Rian De Waal | F♯ Minor | 0 | 11A | 178 BPM | ||
[Suite in A Major]: Courante in A Major, Gustafson 112 | Louis Couperin, Pavel Kolesnikov | F♯ Minor | 1 | 11A | 72 BPM | ||
Theme and Variations, Op. 72: Var. 5. Andante sostenuto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Septet in E-Flat Major, Op. 65: III. Intermède. Andante | Camille Saint-Saëns, Nash Ensemble | F Major | 1 | 7B | 135 BPM | ||
Pièces de clavecin, Livre III, Ordre 18: VI. Le Tic-Toc-Choc ou les Maillotins | François Couperin, Angela Hewitt | F Major | 1 | 7B | 150 BPM | ||
Carnaval, Op. 9: No. 5 Eusebius | Robert Schumann, Wilhelm Kempff | D♭ Minor | 2 | 12A | 179 BPM |
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