"[Suite in A Major]: Courante in A Major, Gustafson 112" by Louis Couperin, Pavel Kolesnikov was released on March 30, 2018. With [Suite in A Major]: Courante in A Major, Gustafson 112 being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Louis Couperin, Pavel Kolesnikov's "Louis Couperin: Dances from the Bauyn Manuscript" album is number 18 out of 22. On top of that, United Kingdom appears to be the country where this track was created. [Suite in A Major]: Courante in A Major, Gustafson 112 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite in A Major]: Courante in A Major, Gustafson 112 by Louis Couperin, Pavel Kolesnikov to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le rossignol éperdu: No. 52, Hivernale | Reynaldo Hahn, Pavel Kolesnikov | B♭ Major | 0 | 6B | 67 BPM | ||
Präludium, H-U 214 | Fanny Mendelssohn, Sontraud Speidel | C Major | 3 | 8B | 165 BPM | ||
Five Symphonies for Viols & Basso Continuo: Symphonie No. 2 | Louis Couperin, Oberlin Baroque Ensemble, Lisa Crawford, Catharina Meints, Enid Sutherland, James Caldwell | E Major | 1 | 12B | 78 BPM | ||
6 Variations on "Mein junges Leben hat ein End", SwWV 324: Variation I. Allegretto | Jan Pieterszoon Sweelinck, Cédric Tiberghien | D Major | 1 | 10B | 72 BPM | ||
Suite in D Major: VI. Chaconne | Louis Couperin, Laurence Cummings | D♭ Major | 1 | 3B | 87 BPM | ||
33 Miniatures for Piano (Excerpts): No. 32, Sostenuto | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 76 BPM | ||
Keyboard Sonata in G Major, Op. 17, No. 4, W. A10: I. Allegro | Johann Christian Bach, Alberto Nosè | G Major | 1 | 9B | 124 BPM | ||
8 Piano Pieces: No. 4. Andantino | Elisabeth von Herzogenberg, Natasa Veljkovic | F Major | 1 | 7B | 76 BPM | ||
Sapphische Ode - Op. 94, No. 4 | Johannes Brahms, Zuill Bailey, Awadagin Pratt | F Major | 1 | 7B | 73 BPM | ||
Serenade for Wind Instruments, Op. 44, B. 77 (Excerpts Arr. P. Breiner for Piano): II. Tempo di minuet | Antonín Dvořák, Peter Breiner | G Minor | 0 | 6A | 70 BPM |
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