"Five Symphonies for Viols & Basso Continuo: Symphonie No. 2" by Louis Couperin, Oberlin Baroque Ensemble, Lisa Crawford, Catharina Meints, Enid Sutherland, James Caldwell was released on July 10, 2015. The duration of Five Symphonies for Viols & Basso Continuo: Symphonie No. 2 is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Five Symphonies for Viols & Basso Continuo: Symphonie No. 2's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Louis XIV - La Musique de Versailles" album is number 3 out of 49. On top of that, United States appears to be the country where this track was created. Five Symphonies for Viols & Basso Continuo: Symphonie No. 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Five Symphonies for Viols & Basso Continuo: Symphonie No. 2 by Louis Couperin, Oberlin Baroque Ensemble, Lisa Crawford, Catharina Meints, Enid Sutherland, James Caldwell to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allegretto in A Major | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 129 BPM | ||
Samson, HWV 57: Samson, HWV 57, Sinfonia: I. Andante | George Frideric Handel, Peter Whelan, Irish Baroque Orchestra | F♯ Major | 2 | 2B | 176 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 3, Les graces | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: III. Sarabanda. Largo | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 93 BPM | ||
Suite No. 12 in C Major, FbWV 612: II. Courante | Johann Jakob Froberger, Władysław Kłosiewicz | F♯ Major | 3 | 2B | 128 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Suite in B Minor, Op. 5, No. 4: V. Grave | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | A Minor | 0 | 8A | 0 BPM | ||
Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio | George Frideric Handel, Karl Richter, Karl Richter Chamber Orchestra | E Minor | 0 | 9A | 140 BPM | ||
Fantasia in D Major, TWV 33: 4: II. Dolce | Georg Philipp Telemann, Andrea Coen | D♭ Minor | 2 | 12A | 137 BPM | ||
Flute Concerto in D Major, TWV 51:D1: I. Andante | Georg Philipp Telemann, Barthold Kuijken, Indianapolis Baroque Orchestra | F Major | 3 | 7B | 128 BPM |
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