- BPM
- 146
- Key
- D Major
- Camelot
- 10B
Piano Concerto No. 1 in B Minor, Op. 2: III. Erstes Zeitmass - Eugen d'Albert, Piers Lane, BBC Scottish Symphony Orchestra, Alun Francis Information
- Acousticness
- 98%
- Danceability
- 21%
- Energy
- 6%
- Instrumentalness
- 90%
- Liveness
- 10%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 0%
- Loudness
- -24.033 dB
Summary
"Piano Concerto No. 1 in B Minor, Op. 2: III. Erstes Zeitmass" by Eugen d'Albert, Piers Lane, BBC Scottish Symphony Orchestra, Alun Francis was released on November 1, 1994. Piano Concerto No. 1 in B Minor, Op. 2: III. Erstes Zeitmass appears to be safe for all ages as it is not explicit. The song is number 3 out of 9 in Eugen d'Albert: Piano Concertos Nos. 1 & 2 (Hyperion Romantic Piano Concerto 9) by Eugen d'Albert, Piers Lane, BBC Scottish Symphony Orchestra, Alun Francis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Piano Concerto No. 1 in B Minor, Op. 2: III. Erstes Zeitmass's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concerto No. 1 in B Minor, Op. 2: III. Erstes Zeitmass BPM
The tempo marking of Piano Concerto No. 1 in B Minor, Op. 2: III. Erstes Zeitmass by Eugen d'Albert, Piers Lane, BBC Scottish Symphony Orchestra, Alun Francis is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
Piano Concerto No. 1 in B Minor, Op. 2: III. Erstes Zeitmass Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Hungarian Rhapsodies, S.244: Hungarian Rhapsody No. 11 - Duo-Art 6135 | Franz Liszt, Alfred Cortot, Peter Phillips | B Minor | 1 | 10A | 104 BPM | |
 | pertenece a mi tentacion | loncho brabo | F Major | 0 | 7B | 180 BPM | |
 | String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 93 BPM | |
 | Piano Concerto No. 2 in E Major, Op. 12: I. Mäßig bewegt | Eugen d'Albert, BBC Scottish Symphony Orchestra, Piers Lane, Alun Francis | B Major | 3 | 1B | 105 BPM | |
 | Tiefland: Act I Scene 8: Marta! (Sebastiano, Marta) | Eugen d'Albert, Lisa Gasteen, Johan Botha, Falk Struckmann, Kwangchul Youn, Adriane Queiroz, Raymond Very, Jochen Schmeckenbecher, Anna Maria Pammer, Beatrice Petitet-Kircher, Ulrike Pichler-Steffen, Wiener Singakademie, Vienna Radio Symphony Orchestra, Bertrand de Billy | D♭ Major | 2 | 3B | 66 BPM | |
 | Piano Sonata No. 1 in C Major, K. 279: II. Andante | Wolfgang Amadeus Mozart, Mao Fujita | F Major | 0 | 7B | 109 BPM | |
 | Murmuring Zephyrs. (Murmelndes Luftchen) Op. 21, No .4 - Duca 10 | Adolf Jensen, Peter Phillips, Willy Rehberg | F♯ Major | 0 | 2B | 76 BPM | |
 | 24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major: Allegro poco moderato | Dmitri Shostakovich, Konstantin Scherbakov | B♭ Major | 2 | 6B | 74 BPM | |
 | Romance Variée, Op. 3 | Clara Schumann, Noemí Teruel Serrano | C Major | 1 | 8B | 68 BPM | |
 | Tarantelle styrienne, L. 69 | Claude Debussy, Saskia Giorgini | B Minor | 1 | 10A | 63 BPM |
- ISRC
- GBAJY9474703
- Label
- L-M Records/RCA Records
Section: 0.8025722503662109
End: 0.806117057800293