- BPM
- 77
- Key
- A Minor
- Camelot
- 8A
Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": IV. Mosso - Pēteris Vasks, Renaud Capuçon, Chamber Orchestra of Europe Information
- Acousticness
- 65%
- Danceability
- 10%
- Energy
- 2%
- Instrumentalness
- 6%
- Liveness
- 20%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 1%
- Loudness
- -26.129 dB
Summary
"Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": IV. Mosso" by Pēteris Vasks, Renaud Capuçon, Chamber Orchestra of Europe was released on March 3, 2014. With Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": IV. Mosso being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 14 in Distant Light - Renaud Capuçon plays Bach & Vasks by Renaud Capuçon, Chamber Orchestra of Europe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": IV. Mosso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": IV. Mosso BPM
The tempo marking of Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": IV. Mosso by Pēteris Vasks, Renaud Capuçon, Chamber Orchestra of Europe is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": IV. Mosso Key
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | |
 | Preliudai (Preludes): Dainele: Grave | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | |
 | 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | |
 | Cycle: III. Drama | Pēteris Vasks, Reinis Zariņš | B Major | 3 | 1B | 137 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | |
 | Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | |
 | Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | |
 | Versa est in luctum | Alonso Lobo, Tenebrae, Nigel Short | G Minor | 1 | 6A | 135 BPM | |
 | Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM |
- ISRC
- GBAYC1400089
- Label
- L-M Records/RCA Records
Section: 0.698338508605957
End: 0.7042779922485352