Giovanni Antonio Guido, Dorothee Oberlinger's 'Scherzi Armonici sopra le quattro stagioni, L'Hyver: I. Largo. La saison des frimats' came out on November 4, 2022. With Scherzi Armonici sopra le quattro stagioni, L'Hyver: I. Largo. La saison des frimats being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Pastorale". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Scherzi Armonici sopra le quattro stagioni, L'Hyver: I. Largo. La saison des frimats is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scherzi Armonici sopra le quattro stagioni, L'Hyver: I. Largo. La saison des frimats by Giovanni Antonio Guido, Dorothee Oberlinger having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Himmelskonig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | D Major | 8 | 10B | 102 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Ayres for the Violin, books 1 & 4: Grave | Nicola Matteis, Orpheus Musicus, Laura Martinez Boj, Sergio Suárez | F♯ Minor | 3 | 11A | 88 BPM | ||
Violin Concerto in D Major, Op. 3, No. 3: I. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 1 | 10B | 125 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: II. Larghetto | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | C Minor | 1 | 5A | 127 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 3 | 10B | 133 BPM | ||
Scherzi Armonici sopra le quattro stagioni, L'Hyver: IV. Vivace. Marche des guerriers | Giovanni Antonio Guido, Dorothee Oberlinger | F♯ Major | 1 | 2B | 78 BPM | ||
Airs for the Winter: Golden Rod: III. Tempo di minuetto: Allegro | James Oswald, The Broadside Band | A Major | 2 | 11B | 76 BPM |
Section: 0.5503478050231934
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