Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Jolanda Gardino, Nicola Rossi-Lemeni, Nicolai Gedda, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano made "Rossini: Il turco in Italia, Act 2: "Questo vecchio maledetto" (Selim, Narciso, Fiorilla, Zaida, Geronio, Coro)" available on 1955. The duration of Rossini: Il turco in Italia, Act 2: "Questo vecchio maledetto" (Selim, Narciso, Fiorilla, Zaida, Geronio, Coro) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Rossini: Il turco in Italia, Act 2: "Questo vecchio maledetto" (Selim, Narciso, Fiorilla, Zaida, Geronio, Coro)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #40. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rossini: Il turco in Italia, Act 2: "Questo vecchio maledetto" (Selim, Narciso, Fiorilla, Zaida, Geronio, Coro) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Rossini: Il turco in Italia, Act 2: "Questo vecchio maledetto" (Selim, Narciso, Fiorilla, Zaida, Geronio, Coro) by Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Jolanda Gardino, Nicola Rossi-Lemeni, Nicolai Gedda, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, Act 1: "Mais nous ne voyons pas la Carmencita!" "Quand je vous aimerai?" (Jeunes gens, Dragons, Cigarières, Carmen) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor des Deutschen Staatsoper, Chor und Kinderchor der Deutschen Staatsoper Berlin, Eberhard Friedrich, Magdalena Kozená, Vinzenz Weissenburger | F Minor | 1 | 4A | 86 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Pagliacci / Act I: "Qual fiamma avea nel guardo! ... Stridono lassù" | Ruggero Leoncavallo, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A Major | 1 | 11B | 78 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (a) "Rien! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Faust, CG 4 / Act I: "Mais ce Dieu" | Charles Gounod, Rolando Villazón, Orchestre Métropolitain, Yannick Nézet-Séguin | C Major | 3 | 8B | 64 BPM | ||
Jenufa / Act 3: Odesli | Leoš Janáček, Wiesław Ochman, Elisabeth Söderström, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B♭ Major | 2 | 6B | 82 BPM | ||
L'assedio di Corinto, IGR 62 | Gioacchino Rossini, Orchestra Del Teatro Alla Scala, Milano, Thomas Schippers | B Minor | 2 | 10A | 95 BPM | ||
Puccini: La bohème, Act 1: "Oh! Sventata, sventata!" (Mimì, Rodolfo) | Giacomo Puccini, Victoria de los Ángeles, Jussi Björling, Sir Thomas Beecham, RCA Victor Orchestra | A Major | 0 | 11B | 135 BPM |
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