Charles Gerhardt made "March of the Merry Men & Battle (From "Robin Hood")" available on September 11, 2013. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Reader's Digest Music: Romancing the Screen, Vol. 5: Action, Suspense & Horror Classics". In this album, this song's track order is #5. Based on our statistics, March of the Merry Men & Battle (From "Robin Hood")'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With March of the Merry Men & Battle (From "Robin Hood") by Charles Gerhardt having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
The Firebird Suite *: Finale | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D♭ Minor | 3 | 12A | 64 BPM | ||
Intermezzo | Pietro Mascagni, James Levine | F Major | 2 | 7B | 84 BPM | ||
Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
Marriage of Figaro | Jeff String | C Minor | 4 | 5A | 138 BPM | ||
Violin Concerto No. 2 in G Minor, RV 315, "L'Estate": III. Presto | Antonio Vivaldi, Vladimir Spivakov | C Minor | 4 | 5A | 158 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM |
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