"Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus" by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier was released on 1985. Since Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Ockeghem - Requiem (Missa Pro Defunctis) & Missa Mi Mi (Missa Quarti Toni)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom for Chorus, Op. 31: II. First Antiphon: "Praise the Lord, O my soul..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | G Minor | 0 | 6A | 139 BPM | ||
Se je fayz dueil | Jan Garbarek, Guillaume Le Rouge, The Hilliard Ensemble | F♯ Minor | 1 | 11A | 81 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VIII. The Creed | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Minor | 1 | 5A | 165 BPM | ||
Alonso: La Tricotea, a 3 (No. 185 from "Cancionero de Palacio"): "La tricotea San martin la vea" | Francisco Alonso, The Hilliard Ensemble, Paul Hillier | G Minor | 3 | 6A | 136 BPM | ||
Viderunt omnes No. 2: ...salutare suum ante conspectum gentium revelavit... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 70 BPM | ||
Urrede: Nunca fué pena mayor (No. 259 from "Cancionero de Palacio") | Juan De Urrede, The Hilliard Ensemble, Paul Hillier | A Minor | 1 | 8A | 77 BPM | ||
Introitus: Gaudeamus omnes in domino | Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard | E Major | 1 | 12B | 73 BPM | ||
Tallis: Loquebantur Variis Linguis - 3. Gloria Patri Et Filio | The Tallis Scholars, Peter Phillips | A♭ Major | 0 | 4B | 81 BPM | ||
Allegri: Miserere - 11. Tunc acceptabis | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 0 | 6A | 84 BPM | ||
Parce Mihi Domine - Var. 2 | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 1 | 6B | 80 BPM |
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