"Urrede: Nunca fué pena mayor (No. 259 from "Cancionero de Palacio")" by Juan De Urrede, The Hilliard Ensemble, Paul Hillier was released on 1991. The duration of Urrede: Nunca fué pena mayor (No. 259 from "Cancionero de Palacio") is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Urrede: Nunca fué pena mayor (No. 259 from "Cancionero de Palacio")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Spain and the New World - Renaissance music from Aragon and Mexico". In this album, this song's track order is #15. Urrede: Nunca fué pena mayor (No. 259 from "Cancionero de Palacio") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Urrede: Nunca fué pena mayor (No. 259 from "Cancionero de Palacio") by Juan De Urrede, The Hilliard Ensemble, Paul Hillier having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Es liegt ein Schloß in Osterreich | Caspar Othmayr, Matthias Lucht, Sven Schwannberger, Julian Behr | B Major | 1 | 1B | 179 BPM | ||
In nomine Iesu: Adoramus te | Loyset Compère, Odhecaton, Paolo da Col | C Major | 1 | 8B | 70 BPM | ||
Je suis trop jeunette, pour instruments | Raulin De Vaux, Doulce Mémoire | E♭ Minor | 0 | 2A | 90 BPM | ||
O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | A Minor | 1 | 8A | 113 BPM | ||
Missa Mille regretz. Agnus Dei III | The Royal Wind Music, Capella Sancta María, Alfred Fernández | B♭ Minor | 1 | 3A | 75 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn II - Ecce quomodo moritur iustus | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
Mariam Matrem | Llibre Vermell De Montserrat, Jordi Savall | A Minor | 0 | 8A | 209 BPM | ||
Sestina, prima parte: "Incenerite spoglie" | Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert | B♭ Minor | 1 | 3A | 69 BPM |
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