"Piano Concerto No. 4 in G Major, Op. 58: III. Rondo (Vivace- Cadenza- Tempo 1)" by Ludwig van Beethoven, Philharmonia Orchestra, Emil Gilels, Leopold Ludwig was released on April 4, 2011. Since Piano Concerto No. 4 in G Major, Op. 58: III. Rondo (Vivace- Cadenza- Tempo 1) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Beethoven: Piano Concertos 4 & 5 "The Emperor" by Ludwig van Beethoven, Philharmonia Orchestra, Emil Gilels, Leopold Ludwig. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Piano Concerto No. 4 in G Major, Op. 58: III. Rondo (Vivace- Cadenza- Tempo 1)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 4 in G Major, Op. 58: III. Rondo (Vivace- Cadenza- Tempo 1) by Ludwig van Beethoven, Philharmonia Orchestra, Emil Gilels, Leopold Ludwig is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Sonata concertata in A Major, Op. 61, MS 2: III. Rondeu - Allegretto con brio scherzando | Niccolò Paganini, Scott St. John, Simon Wynberg | E Major | 1 | 12B | 122 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Beethoven: 12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 169 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Trio n°3, Op. 1: I. Allegro con brio | Ludwig van Beethoven, Trio Leos, Pablo Schatzman, Guillaume Lafeuille, Jean-Michel Dayez | C Minor | 0 | 5A | 165 BPM |
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