Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus)
Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth
Weber: Der Freischutz
2:41 1959
BPM
101
Key
G Major
Camelot
9B

Embed

Share Link

Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) - Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth Information

Acousticness
96%
Danceability
59%
Energy
15%
Instrumentalness
0%
Liveness
76%
Loudness
61%
Speechiness
9%
Valence
34%
Popularity
Loudness
-23.389 dB

Summary

Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth's 'Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus)' came out on 1959. The duration of Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weber: Der Freischutz by Carl Maria von Weber, Joseph Keilberth. The song's track number on the album is #4 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) BPM

Since Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) by Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft by Robert Schumann, Berliner Philharmoniker, Herbert von KarajanSymphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - LebhaftRobert Schumann, Berliner Philharmoniker, Herbert von KarajanC Minor25A103 BPM
L'italiana in Algeri: Overture by Gioachino Rossini, Orchestra del Maggio Musicale Fiorentino, Silvio VarvisoL'italiana in Algeri: OvertureGioachino Rossini, Orchestra del Maggio Musicale Fiorentino, Silvio VarvisoE Major512B85 BPM
Dichterliebe, Op.48: 2. Aus meinen Tränen sprießen by Robert Schumann, Dietrich Fischer-Dieskau, Christoph EschenbachDichterliebe, Op.48: 2. Aus meinen Tränen sprießenRobert Schumann, Dietrich Fischer-Dieskau, Christoph EschenbachA Minor08A82 BPM
Symphony No.1 In C, Op.21: 3. Menuetto (Allegro molto e vivace) by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von KarajanSymphony No.1 In C, Op.21: 3. Menuetto (Allegro molto e vivace)Ludwig van Beethoven, Berliner Philharmoniker, Herbert von KarajanC Major18B141 BPM
Der Musensohn, Op. 92, No. 1, D. 764 by Franz Schubert, Dietrich Fischer-Dieskau, Gerald MooreDer Musensohn, Op. 92, No. 1, D. 764Franz Schubert, Dietrich Fischer-Dieskau, Gerald MooreE Major012B172 BPM
Persischer Marsch, Op.289 by Johann Strauss II, Berliner Philharmoniker, Herbert von KarajanPersischer Marsch, Op.289Johann Strauss II, Berliner Philharmoniker, Herbert von KarajanG Minor26A207 BPM
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O wär' ich schon mit dir vereint by Ludwig van Beethoven, Rachel Harnisch, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio AbbadoFidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O wär' ich schon mit dir vereintLudwig van Beethoven, Rachel Harnisch, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio AbbadoC Major18B81 BPM
Requiem: I. Kyrie by Osip Kozlovsky, Galina Simkina, Konstantin Lisovsky, Lydia Chernykh, Valentina Panina, Vladimir Matorin, Moscow Choir of Teachers, Moscow State Choir, Vladimir Yesipov, USSR Ministry of Culture Symphony OrchestraRequiem: I. KyrieOsip Kozlovsky, Galina Simkina, Konstantin Lisovsky, Lydia Chernykh, Valentina Panina, Vladimir Matorin, Moscow Choir of Teachers, Moscow State Choir, Vladimir Yesipov, USSR Ministry of Culture Symphony OrchestraE♭ Major15B110 BPM
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 26. Chor: Vollendet ist das große Werk by Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav SjökvistDie Schöpfung Hob. XXI:2 / Zweiter Teil: 26. Chor: Vollendet ist das große WerkJoseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav SjökvistB♭ Major46B97 BPM
Die Meistersinger von Nürnberg, WWV 96 / Act 3: Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht"Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg SoltiF Major47B179 BPM
ISRC
DEA349606486
Label
L-M Records/RCA Records

Section: 0.7375812530517578

End: 0.7415356636047363