Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth's 'Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus)' came out on 1959. The duration of Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weber: Der Freischutz by Carl Maria von Weber, Joseph Keilberth. The song's track number on the album is #4 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) by Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 1: "Schau der Herr mich an als König!" (Kilian, Max, Chorus) being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 103 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | E Major | 5 | 12B | 85 BPM | ||
Dichterliebe, Op.48: 2. Aus meinen Tränen sprießen | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | A Minor | 0 | 8A | 82 BPM | ||
Symphony No.1 In C, Op.21: 3. Menuetto (Allegro molto e vivace) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 141 BPM | ||
Der Musensohn, Op. 92, No. 1, D. 764 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E Major | 0 | 12B | 172 BPM | ||
Persischer Marsch, Op.289 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 207 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O wär' ich schon mit dir vereint | Ludwig van Beethoven, Rachel Harnisch, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | C Major | 1 | 8B | 81 BPM | ||
Requiem: I. Kyrie | Osip Kozlovsky, Galina Simkina, Konstantin Lisovsky, Lydia Chernykh, Valentina Panina, Vladimir Matorin, Moscow Choir of Teachers, Moscow State Choir, Vladimir Yesipov, USSR Ministry of Culture Symphony Orchestra | E♭ Major | 1 | 5B | 110 BPM | ||
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 26. Chor: Vollendet ist das große Werk | Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | B♭ Major | 4 | 6B | 97 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM |
Section: 0.7375812530517578
End: 0.7415356636047363