On January 1, 1972, the song "Symphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft" was released by Robert Schumann, Berliner Philharmoniker, Herbert von Karajan. Symphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "Schumann: 4 Symphonies". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Symphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Symphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft by Robert Schumann, Berliner Philharmoniker, Herbert von Karajan having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Dances, Op. 45: II. Andante con moto (tempo di Valse) | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Minor | 0 | 5A | 67 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Midori, Mariss Jansons, Berliner Philharmoniker | D♭ Major | 1 | 3B | 125 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 149 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
The Planets - Suite for large orchestra, Op.32: III. Mercury, the Winged Messenger (Vivace) | Berliner Philharmoniker, Sir Simon Rattle | F Major | 0 | 7B | 118 BPM | ||
Mazurka No.19 In B Minor, Op.30 No.2 | Frédéric Chopin, Vladimir Ashkenazy | F♯ Minor | 1 | 11A | 109 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Papillons, Op.2: No. 11 | Robert Schumann, Nelson Freire | D Major | 1 | 10B | 120 BPM |
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