"6 Romances, Op. 38: No. 5, The Dream" by Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas was released on April 12, 2024. The duration of 6 Romances, Op. 38: No. 5, The Dream is about 3 minutes long, at 3:12. Based on our data, "6 Romances, Op. 38: No. 5, The Dream" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Rachmaninoff: Songs". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. 6 Romances, Op. 38: No. 5, The Dream is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Romances, Op. 38: No. 5, The Dream by Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les nuits d'été, H 81: No. 2, Le spectre de la rose | Hector Berlioz, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me | Philip Creasy, Susan Gorton | C Major | 1 | 8B | 59 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | C Minor | 1 | 5A | 79 BPM | ||
Zālīts, Pel t,velc miedziiņu | Jānis Zālīts, Elina Garanca, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
Madama Butterfly, Act III: Addio, fiorito asil | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | D♭ Major | 2 | 3B | 79 BPM | ||
Charpentier: Te Deum, H. 146: VIII. Te ergo quaesumus | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 1: "Ô toi qui prolongeas mes jours" (Iphigénie) | Christoph Willibald Gluck, Georges Prêtre, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | B♭ Major | 2 | 6B | 95 BPM | ||
Spring Symphony, Op. 44, Part III: Sound the Flute (chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | B Minor | 2 | 10A | 125 BPM | ||
Variations on a Theme of Corelli, Op. 42: Theme. Andante | Sergei Rachmaninoff, Howard Shelley | D Minor | 0 | 7A | 107 BPM | ||
A Child of our Time, Part I: The Narrator. Now in each nation there were some cast out... (Bass) | Michael Tippett, Ashley Riches, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM |
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