"A Child of our Time, Part I: The Narrator. Now in each nation there were some cast out... (Bass)" by Michael Tippett, Ashley Riches, BBC Symphony Orchestra, Andrew Davis was released on May 3, 2024. With A Child of our Time, Part I: The Narrator. Now in each nation there were some cast out... (Bass) being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Tippett: A Child of our Time". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, A Child of our Time, Part I: The Narrator. Now in each nation there were some cast out... (Bass)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Child of our Time, Part I: The Narrator. Now in each nation there were some cast out... (Bass) by Michael Tippett, Ashley Riches, BBC Symphony Orchestra, Andrew Davis having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 3 | 9B | 82 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Songs of the Half-Light, Op. 65: No. 2, Full Moon | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | B Minor | 0 | 10A | 88 BPM | ||
Puccini: Turandot, Act 3: "Diecimila anni al nostro Imperatore!" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 0 | 6B | 86 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Minor | 3 | 5A | 112 BPM | ||
Sandström: Sueño Macabros: IV Gatear en el la Mona Lisa | Jan Sandström, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 0 | 5B | 178 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (g) Allegro ma non tanto. "Freude, Tochter aus Elysium!" - | Ludwig van Beethoven, Margaret Price, Marjana Lipovsek, Peter Seiffert, Jan-Hendrik Rootering, Chor Des Städtischen Musikvereins E. V. Düsseldorf, Wolfgang Sawallisch, Royal Concertgebouw Orchestra, Chor des Städtischen Musikvereins zu Düsseldorf | A Major | 1 | 11B | 75 BPM |
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