"String Quartet No. 3, "Mishima": V. Blood Oath" by Philip Glass, Carducci String Quartet was released on June 1, 2010. The duration of String Quartet No. 3, "Mishima": V. Blood Oath is about 3 minutes long, at 3:12. Based on our data, "String Quartet No. 3, "Mishima": V. Blood Oath" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Philip Glass, Carducci String Quartet's "Glass: String Quartets Nos. 1-4" album is number 9 out of 15. In terms of popularity, String Quartet No. 3, "Mishima": V. Blood Oath is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 3, "Mishima": V. Blood Oath by Philip Glass, Carducci String Quartet to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | E♭ Major | 0 | 5B | 74 BPM | ||
Six Melodies - performed on Violin and Harp: No.1 Rubato | John Cage, Gidon Kremer, Naoko Yoshino | D Minor | 0 | 7A | 113 BPM | ||
Sonata XVI & XV "Gemini" | John Cage, David Greilsammer | D Major | 1 | 10B | 92 BPM | ||
Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
3 Pieces in Old Style: No. 2. Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | A Minor | 1 | 8A | 155 BPM | ||
Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
The Hours (From "The Hours") | Philip Glass, Nicolas Horvath | E♭ Major | 1 | 5B | 151 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Fauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard) | Gabriel Fauré, Olivier Latry | E♭ Major | 0 | 5B | 74 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): III. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 130 BPM |
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