"3 Utwory w dawnym stylu (3 Pieces in Old Style): III. —" by Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit was released on April 12, 1994. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Henryk Górecki, Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit's "Górecki: Symphony No. 3 - 3 Olden Style Pieces" album is number 6 out of 6. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, 3 Utwory w dawnym stylu (3 Pieces in Old Style): III. —'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Utwory w dawnym stylu (3 Pieces in Old Style): III. — by Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shadow 4 | Max Richter | C Major | 1 | 8B | 143 BPM | ||
Gnossiennes: No. 5 | Erik Satie, Reinbert de Leeuw | G Major | 0 | 9B | 51 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 17 | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | G Minor | 2 | 6A | 112 BPM | ||
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Fauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard) | Gabriel Fauré, Olivier Latry | E♭ Major | 0 | 5B | 74 BPM | ||
Shadow 1 | Max Richter | B Minor | 5 | 10A | 132 BPM | ||
Canticles of the Sky: I. Sky with Four Suns | John Luther Adams, Northwestern University Cello Ensemble, Hans Jørgen Jensen | G Major | 1 | 9B | 92 BPM | ||
Wild Swans - Concert Suite: 1. Green Leaf | Elena Kats-Chernin, Tasmanian Symphony Orchestra, Ola Rudner | C Minor | 1 | 5A | 81 BPM |
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