"The Hours (From "The Hours")" by Philip Glass, Nicolas Horvath was released on June 10, 2016. The Hours (From "The Hours") is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Philip Glass: Glassworlds, Vol. 4 – On Love". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Hours (From "The Hours")'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Hours (From "The Hours") by Philip Glass, Nicolas Horvath having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Talking to my Father | Hauschka | A Minor | 0 | 8A | 126 BPM | ||
Concerto For Violoncello And Strings: II. (Longing) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | F Major | 2 | 7B | 85 BPM | ||
The Hours: The Poet Acts (Arr. Michael Riesman) | Philip Glass, Valentina Lisitsa | G Minor | 0 | 6A | 60 BPM | ||
Ravel: Miroirs, M. 43: V. La Vallée des cloches | Maurice Ravel, Bertrand Chamayou | D♭ Major | 0 | 3B | 132 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
White Lily (from 3 Hungarian Folksongs from Csík, Sz. 35a/3) - Grand Piano | Béla Bartók, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
Shadow Land, Pt. 1 | Federico Albanese | F Minor | 1 | 4A | 123 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Quavers 5 | Howard Skempton, John Tilbury | D Major | 0 | 10B | 104 BPM | ||
The Birth Of The Fawn | Philip Glass | C Major | 1 | 8B | 95 BPM |
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