"Billy the Kid: No. 6, Celebration" by Aaron Copland, Colorado Symphony, Andrew Litton was released on January 1, 2016. The duration of Billy the Kid: No. 6, Celebration is about 3 minutes long, at 3:13. Based on our data, "Billy the Kid: No. 6, Celebration" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 18 in Copland: Billy the Kid, Rodeo, El Salón México & An Outdoor Overture by Aaron Copland, Colorado Symphony, Andrew Litton. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Billy the Kid: No. 6, Celebration is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Billy the Kid: No. 6, Celebration by Aaron Copland, Colorado Symphony, Andrew Litton is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 87 BPM | ||
March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | ||
Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | E♭ Major | 4 | 5B | 89 BPM | ||
Aladdin Op. 34, Fairy Tale Drama in Five Acts, Act IV: No. 22, Aladdin's Dream | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir | D Minor | 1 | 7A | 135 BPM | ||
Suite bergamasque, L.75 - Orch. Henri Pierre Edouard Mouton: Clair de lune | Claude Debussy, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 77 BPM | ||
Fantasia (completed by K. Russman) | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 82 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM |
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