"Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 14. Rezitativ (Sopran) "Es waren Hirten beisammen.."" by Gundula Janowitz, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram was released on January 1, 2003. The duration of Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 14. Rezitativ (Sopran) "Es waren Hirten beisammen.." is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 14. Rezitativ (Sopran) "Es waren Hirten beisammen.."'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 70 in the song's album "The Christmas Album". In this album, this song's track order is #36. In terms of popularity, Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 14. Rezitativ (Sopran) "Es waren Hirten beisammen.." is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 14. Rezitativ (Sopran) "Es waren Hirten beisammen.." by Gundula Janowitz, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
Ariadne auf Naxos, Op. 60, TrV 228a: The Opera: Gibt es kein Hinuber? (Ariadne, Bacchus, Najad, Dryad, Echo, Zerbinetta) | Richard Strauss, Erich Kunz, Walter Berry, Agnes Baltsa, James King, Gundula Janowitz, Edita Gruberova, Barry McDaniel, Kurt Equiluz, Manfred Jungwirth, Gerhard Unger, Hilde de Groote, Axelle Gall, Sona Ghazarian, Peter Weber, Heinz Zednik, Georg Tichy, Alfred Sramek, Vienna State Opera Orchestra, Karl Böhm | D♭ Major | 3 | 3B | 82 BPM | ||
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Giulio Cesare in Egitto, HWV 17, Act II, Scene 8: Se pietà di me non senti | George Frideric Handel, Sonya Yoncheva, Alessandro De Marchi | F Minor | 1 | 4A | 107 BPM | ||
Der Freischütz, J. 277 / Act 3: "Wir winden dir den Jungfernkranz" | Carl Maria von Weber, Renate Hoff, Renate Krahmer, Ingeborg Springer, Brigitte Pfretzschner, Ingrid Hille, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 0 | 8B | 99 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Concertgebouworkest, Riccardo Chailly | F Major | 0 | 7B | 82 BPM |
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