"Giulio Cesare in Egitto, HWV 17, Act II, Scene 8: Se pietà di me non senti" by George Frideric Handel, Sonya Yoncheva, Alessandro De Marchi was released on February 3, 2017. Since Giulio Cesare in Egitto, HWV 17, Act II, Scene 8: Se pietà di me non senti is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Sonya Yoncheva's "Handel" album is number 1 out of 11. In terms of popularity, Giulio Cesare in Egitto, HWV 17, Act II, Scene 8: Se pietà di me non senti is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giulio Cesare in Egitto, HWV 17, Act II, Scene 8: Se pietà di me non senti by George Frideric Handel, Sonya Yoncheva, Alessandro De Marchi to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
Les Folies d'Espagne | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 108 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: III. Allegro | Arcangelo Corelli, Enrico Onofri | G Major | 3 | 9B | 116 BPM | ||
Le nozze die Figaro, K. 492, Act IV: Giunse alfin il momento... Deh vieni non tardar (Susanna) | Wolfgang Amadeus Mozart, Regula Mühlemann, Umberto Benedetti Michelangeli | G Major | 0 | 9B | 95 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Theodora, HWV 68 - Aria 'With darkness deep as in my woe' | George Frideric Handel, Sandrine Piau, Stefano Montanari, Accademia Bizantina | E♭ Major | 0 | 5B | 98 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Il pianto di Maria: "Giunta l'ora fatal" HWV 234: Cavatina: "Se d'un Dio fui fatta Madre" | George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | B Minor | 0 | 10A | 174 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM |
Section: 0.6790578365325928
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