"Five Spirituals from "A Child Of our Time": V. Deep River" by Michael Tippett, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra was released on May 8, 2020. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 16 in Cantos Sagrados by National Youth Choir of Scotland, Christopher Bell, Royal Scottish National Orchestra. The popularity of Five Spirituals from "A Child Of our Time": V. Deep River is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Spirituals from "A Child Of our Time": V. Deep River by Michael Tippett, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso | Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins | F Major | 2 | 7B | 116 BPM | ||
The Armed Man (Ensemble Version): XI. Now the Guns Have Stopped | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Spring Symphony, Op. 44, Part I: Introduction. Shine out (chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus | D♭ Major | 0 | 3B | 98 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: IV. Presto - Poco a poco rallentando al adagio | Jean Sibelius, Paavo Berglund, Bournemouth Symphony Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
Folk Songs: No. 2, I Wonder as I Wander | Luciano Berio, Elina Garanca, Berlin Music Ensemble | A♭ Major | 0 | 4B | 81 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Symphony No. 1, Op. 13: I. Assez vif et rythmé | George Enescu, Orchestre National De France, Cristian Măcelaru | E♭ Major | 1 | 5B | 140 BPM | ||
Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM |
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