Marc-Antoine Charpentier, National Philharmonic Orchestra, Charles Gerhardt's ' "Te Deum, H. 146: No. 1, Prelude" was released on its scheduled release date, November 16, 2018. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Te Deum, H. 146: No. 1, Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 10 in Classical Essentials, Vol. 1 by Various Artists, Charles Gerhardt, Klaus Knubben, Douglas Gamley. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Te Deum, H. 146: No. 1, Prelude is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Te Deum, H. 146: No. 1, Prelude by Marc-Antoine Charpentier, National Philharmonic Orchestra, Charles Gerhardt is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Bach-Gounod: Meditation over a theme of Bach | Conrad Zwicky | C Major | 0 | 8B | 75 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
David et Jonathas, H. 490, Prologue: Déclamation | Marc-Antoine Charpentier, Clément Buonomo | A♭ Major | 2 | 4B | 118 BPM | ||
By the Beautiful Blue Danube Op. 314 | Charles Gerhardt, National Philharmonic Orchestra | D Major | 1 | 10B | 183 BPM | ||
Aida - Triumphal March: Aida - Triumphal March - Live | Giuseppe Verdi, American Symphony Orchestra, Leon Botstein | E♭ Major | 1 | 5B | 98 BPM | ||
Ouvertüre - Mary Poppins | Richard M. Sherman, Robert B Sherman | C Major | 4 | 8B | 126 BPM | ||
Largo al factotum | Gioachino Rossini, Simon Keenlyside, Ulf Schirmer | C Major | 3 | 8B | 73 BPM | ||
Prelude from Te Deum, H.146 | Marc-Antoine Charpentier, Wynton Marsalis, Anthony Newman, English Chamber Orchestra | D Major | 2 | 10B | 127 BPM | ||
Scène Moderato - Schwanensee (Swan Lake) | Pyotr Ilyich Tchaikovsky, Justus Frantz | E Minor | 2 | 9A | 73 BPM |