- BPM
- 134
- Key
- F Minor
- Camelot
- 4A
La chanson d'Eve, Op. 95: 6. Eau vivante - Gabriel Fauré, Irma Kolassi, André Collard Information
- Acousticness
- 99%
- Danceability
- 35%
- Energy
- 19%
- Instrumentalness
- 14%
- Liveness
- 10%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 17%
- Popularity
- 1%
- Loudness
- -16.837 dB
Summary
"La chanson d'Eve, Op. 95: 6. Eau vivante" by Gabriel Fauré, Irma Kolassi, André Collard was released on September 23, 2022. With La chanson d'Eve, Op. 95: 6. Eau vivante being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 112 in A Season of Music: Fauré by Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, La chanson d'Eve, Op. 95: 6. Eau vivante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La chanson d'Eve, Op. 95: 6. Eau vivante BPM
The tempo marking of La chanson d'Eve, Op. 95: 6. Eau vivante by Gabriel Fauré, Irma Kolassi, André Collard is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
La chanson d'Eve, Op. 95: 6. Eau vivante Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 2 Bagatelles, Op. 173: No. 2. Andantino | Valentin Silvestrov, Elisaveta Blumina | C Major | 0 | 8B | 70 BPM | |
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | |
 | Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | |
 | Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | |
 | Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | |
 | Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | |
 | Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM |
- ISRC
- GBBBA5373106
- Label
- L-M Records/RCA Records
Section: 0.6621971130371094
End: 0.6665964126586914