"Timor et tremor - (Motet)" by Orlande de Lassus, The Sixteen, Harry Christophers was released on January 1, 2011. With this song being about 5 minutes long, at 4:53, "Timor et tremor - (Motet)" by Orlande de Lassus, The Sixteen, Harry Christophers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 10 in Allegri: Miserere; Tallis: Lamentations of Jeremiah & other Renaissance Masterpieces by The Sixteen, Gabrieli, Choir of King's College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Timor et tremor - (Motet)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Timor et tremor - (Motet) by Orlande de Lassus, The Sixteen, Harry Christophers is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Jubilate Deo | Cristobal de Morales, Stile Antico | B♭ Minor | 2 | 3A | 88 BPM | ||
Benedicta es caelorum Regina | Jean Guyot de Châtelet, The Sixteen, Harry Christophers | A Major | 2 | 11B | 127 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Al dolce soun | Orlande de Lassus, Orland di Lasso, Alsfelder Vocal Ensemble, Wolfgang Helbich | A♭ Major | 1 | 4B | 81 BPM | ||
Vespers of 1610: Laudate pueri | Claudio Monteverdi, Grace Davidson, Charlotte Mobbs, Mark Dobell, Simon Berridge, Jeremy Budd, Ben Davies, Eamonn Dougan, Harry Christophers, The Sixteen | G Major | 1 | 9B | 72 BPM | ||
Antiphon Caritas habundant in omnia | Hildegard von Bingen, Anonymous 4 | F Minor | 0 | 4A | 125 BPM | ||
The Lord is My Shepherd | Howard Goodall, The Sixteen, Harry Christophers | D Minor | 0 | 7A | 70 BPM | ||
Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 76 BPM | ||
Missa Osculetur me: Credo | Orlande de Lassus, The Sixteen, Harry Christophers | A Major | 2 | 11B | 127 BPM |
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