"Symphony No.2: 1. Hésitant - Live" by Witold Lutosławski, Berliner Philharmoniker, Sir Simon Rattle was released on August 14, 2015. Symphony No.2: 1. Hésitant - Live appears to be safe for all ages as it is not explicit. The track order of this song in Witold Lutosławski, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle's "Lutoslawski: Piano Concerto; Symphony No.2" album is number 5 out of 6. Based on our statistics, Symphony No.2: 1. Hésitant - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.2: 1. Hésitant - Live by Witold Lutosławski, Berliner Philharmoniker, Sir Simon Rattle to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Neeme Järvi, Royal Concertgebouw Orchestra, Horacio Gutiérrez | C Minor | 2 | 5A | 160 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Verklärte Nacht, Op. 4: Adagio (Takt 229) | Arnold Schoenberg, Orpheus Chamber Orchestra | C Major | 3 | 8B | 168 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
Sonata for Viola and Piano, Op. 147: 1. Moderato | Dmitri Shostakovich, Vladimir Ashkenazy, Ada Meinich | A Major | 1 | 11B | 68 BPM | ||
Children's Songs for Voice and Piano: III. Spijze, spij (Sleep, sleep) | Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe | C Major | 1 | 8B | 113 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM |
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