"Children's Songs for Voice and Piano: III. Spijze, spij (Sleep, sleep)" by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe was released on September 1, 2011. The duration of Children's Songs for Voice and Piano: III. Spijze, spij (Sleep, sleep) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Children's Songs for Voice and Piano: III. Spijze, spij (Sleep, sleep)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, Toby Spence, Christopher Purves's "Lutoslawski: Works for Voice and Orchestra" album is number 9 out of 21. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Children's Songs for Voice and Piano: III. Spijze, spij (Sleep, sleep) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Children's Songs for Voice and Piano: III. Spijze, spij (Sleep, sleep) by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 5 - Quasi Presto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Passacaglia | Rebecca Clarke, Philip Dukes, Sophia Rahman | C Minor | 1 | 5A | 78 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Violin Concerto No. 2, Sz. 112: II. Andante tranquillo | Béla Bartók, Patricia Kopatchinskaja, Peter Eötvös, Frankfurt Radio Symphony Orchestra | G Major | 0 | 9B | 114 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Little Suite : Hurra Polka | Polish National Radio Symphony Orchestra, Witold Lutosławski | D Major | 4 | 10B | 152 BPM | ||
Scaramouche, Op. 165d: I. Vif | Darius Milhaud, Sebastian Manz, Martin Klett | C Major | 2 | 8B | 132 BPM | ||
Flute Concerto in D Major, Op. 283: I. Allegro molto moderato | Carl Reinecke, Sébastian Jacot, Odense Symfoniorkester, David Björkman | D Major | 1 | 10B | 172 BPM | ||
Bruckner: Symphony No. 5 in B-Flat Major, WAB 105: III. Scherzo. Molto vivace | Anton Bruckner, Lahav Shani, Rotterdam Philharmonic Orchestra | D Minor | 1 | 7A | 77 BPM |
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